distributes and curates films
that hold the art of
storytelling at their core.
Hakawati works with storytellers with distinctive vision and enables new talent to take creative risks. Hakawati is committed to the broader visibility of independent film, giving platforms to quieter voices and unique individual – often minority – perspectives in relation to a dominant whole. In making creatively bold films with integrity, representation and reframing narratives are at the heart of what we do. The company’s projects all derive from the central tenet that a good story is in the telling, and that after all, we are the stories we tell. We have three strands of interconnected work: production, impact & distribution and curation – drawing a link between storytelling and which stories get told.
we are the
stories we tell
at stake in the telling
a story is, there is more
No matter how good
by Steven Eastwood;
90 mins; 2017
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Across the water on the island, four individuals experience the year in which their lives will end. Illness progresses, relationships gently shift, and we are witness to rarely seen and intensely private moments. One person shares their acceptance of death, whilst another is surrounded by a community in shock. ISLAND observes bedside care and the rhythm of breathing. In a pathology lab, microscopic biopsies in close-up show the interior of bodies, our biology. Filmed over 12 months on the Isle of Wight, ISLAND is a life-affirming reflection on the phenomena of dying, portraying the transition away from personhood and observing the last days and hours of life and the moment of death. Like the ferries cyclically arriving and departing in this an enigmatic landscape, the film appears buoyant, afloat. Death is shown to be natural and everyday but also unspeakable and strange.
Supported by Arts Council England, National Lottery Big Lottery Fund, FREEFOLK, Earl Mountbatten Hospice and Queen Mary University London
by Hikaru Toda
co-produced with Little Stranger Films
95 mins; 2017
Of Love & Law
Fumi and Kazu are partners in love and law; they run the first law firm in Japan set up by an openly gay couple. As lawyers driven by their own experience of being outsiders, they attract a range of clients who reveal the hidden diversity of a country that prides itself for collective obedience, politeness and conformity. Tired of being silenced and made to feel invisible, the lawyers and their misfit clients expose and challenge the archaic status quo that deems them second-class citizens.
Winner of Tokyo Docs pitch 2014; supported by Chicken & Egg Pictures, The Great British Sasakawa Foundation, Daiwa Foundation, Women Make Movies
Winner of Japanese Competition BEST FILM at Tokyo International Film Festival 2017
by Yasmin Fedda;
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In 2011 Bassel was a successful open source developer and hacker in Damascus. Paolo was a well-known priest. Both active in the 2011 revolution, they were witnesses to crimes and aggression before they were forcibly disappeared. The Disappeared is a personal look at the strategic use of disappearance as a weapon of war.
Supported by SANAD, Cap Kuwait, Amnesty International and BFI Vision Award. Working closely with #FREEBASSEL campaign and Families For Freedom, co-founded by Noura Ghazi
is too complex,
stories give it form
Jean Luc Godard
We believe there is a narrative to the films that get wider visibility and work closely with filmmakers to devise distribution strategies within the UK context, using traditional and non-traditional methods and developing outreach and impact plans.
Our team has experience working with distributors, exhibitors and independent venues, public funders and broadcasters, charities and networks across the country. We have worked on audience building for distribution purposes as well as crowd-funding and award campaigns.
by Carol Salter;
in association with
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In 2017, Hakawati distributed Berlinale “stand out” Almost Heaven by Carol Salter through a nationwide Q&A tour in partnership with MUBI, where the film was then showcased throughout the month of September.
Nominated for Best Documentary, British Independent Film Awards 2017
Almost Heaven follows 17-year-old Ying Ling, who is training to become a mortician in one of China’s largest funeral homes. Far from home and terrified of ghosts, she learns to perform spa and beauty treatments for the dead, speaking to them softly as she is watched closely by family members. Learning to navigate the long, lifeless corridors of the crematorium, she forms a close and unexpected friendship with her colleague Jin Hau. Their playful camaraderie makes work bearable, but when Jin Hau suddenly leaves the funeral home, Ying Ling is left to face the harsh realities of the job alone
A tender and life-affirming portrait of a vibrant young woman approaching adulthood.
Power consists to a
large extent in deciding
what stories will be told
Carolyn G. Heilbrun
Curation and programming are a form of storytelling – three films chosen to sit alongside each other create and project a meta-narrative.
We work with festivals, exhibitors and foundations to curate film programmes that reflect our core value – that a good story is all in the telling.
Most recently, Elhum curated the film element of Shubbak – UK’s largest festival of contemporary Arab culture. The season reflected on questions of ‘image creation of conflict’ and ‘imagined futures’ in an attempt to deconstruct the image and meta-narrative of the region. Explore the programme through Little White Lie’s review of the Imagined Futures Shorts Season; Barbican’s podcast with Mohanad Yaqubi re Off Frame; Bidisha’s overview of films made about Syria for Sight & Sound; Elhum’s article for Little White Lies about the women directors of the festival.
Plot is the bone
you throw the dog while you
go in and rob the house
T. S. Elliot
Whether you’re at the beginning of telling your story, or you’re ready to share it with the world, Hakawati offers one-to-one consultancies with filmmakers and their teams for documentary film, as well as advising on impact and UK distribution strategies.
Stories can conquer
fear you know. They can
make the heart larger
Elhum is a BAFTA nominated producer, recipient of the 2016 BFI Vision Award and of the Women in Film & TV's Factual Award for 2017; her multi-award-winning credits include The Reluctant Revolutionary (Sean McAllister, 2012), The Runner (Saeed Farouky, 2013), A Syrian Love Story (Sean McAllister, 2015), Even When I Fall (Sky Neal and Kate McLarnon, 2017), Almost Heaven (Carol Salter, 2017), ISLAND (Steven Eastwood, 2017) and Of Love & Law (Hikaru Toda, 2017). Working with a range of partners including BFI, BBC, Sundance, Doc Society, The New York Times, Irish Film Board, Arab Fund for Arts and Culture, Chicken & Egg Pictures and Women Make Movies to name a few, her work has been broadcast internationally and screened at festivals including Berlinale, IDFA, Rotterdam, CPH:DOX and Dubai.
Bridging the gap between UK festival visibility and distribution, she began to work on specialist distribution strategies on titles including Wadjda (Haifaa Al Mansour, 2012) and The Lebanese Rocket Society by (Joana Hadjithomas and Khalil Joreige, 2013). In 2015, she self-distributed A Syrian Love Story (Sean McAllister, 2015) in the UK to such high visibility that it was named #3 Best Film of 2015 by the Guardian and was nominated for Film Campaign of the year at the Screen Awards 2016.
Formerly programmer of Bird’s Eye View Film Festival (2012-14) and notably of the hugely successful focus on Arab Women Directors in 2013 and three-month curation of Canary Wharf Screen in 2014, Elhum is now MENA and Iran programme advisor for London Film Festival and Film Curator for Shubbak, festival of contemporary Arab culture. In 2017, she was nominated for the Arab British Centre’s Award for Culture.
Alongside her work in film, she produced award-winning photography book The Grey Line (by Jo Metson Scott, published 2013) about US and UK soldiers who have spoken out against the war in Iraq – named one of TIME, Guardian and Telegraph’s top photobooks of 2013. She is also a published translator of Persian poetry, with a new book of poetry by Azita Ghahreman, translated with Maura Dooley to be published in 2018.
Fleur is an Impact Producer and Hakawati’s Project Manager working across all our projects. Fleur’s legal background informs her interest in documentary, understanding that storytelling has the power to create positive change and give new energy to tired issues. She became a BAFTA Guru Film Pro in 2016.
Fleur has previously worked with award winning documentary film teams including Grain Media, Violet Films and Postcode Films. As an impact assistant on the BAFTA/Academy Award® nominated documentary Virunga (2014), she helped to bring the underreported struggles facing Africa’s oldest national park to the world stage, mobilising an international community to help safeguard its future. More recently, she managed outreach for Berlinale Glashütte Original Best Documentary Award nominee Almost Heaven (2017).
With a keen interest in women in film, she has also been directing a film based on women’s representation in society, looking back over the last 70 years, and has written about gender equality for the UNESCO World Heritage Magazine
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Please note that Hakawati reviews unsolicited proposals and projects every quarter. Proposals are expected to articulate a clear statement of intent.
Hakawati is supported by the BFI Vision Award
Our partners include: BFI, Doc Society, Tribeca, Catapult, SANAD, Cap Kuwait, Arts Council, Lottery Funding, Chicken & Egg, Women Make Movies
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